An actor overdoes his part when on stage; a poet amplifies his descriptions; a painter who draws from life constrains and exaggerates passions, contrasts, and attitudes; and someone who copies his painting, unless he uses a compass to measure the dimensions and proportions, makes the figures bigger and gives to every part of the tableau more volume than the original had: it is in the same way that prudery imitates wisdom.

 There is a false modesty which is vanity, a false glory which is thoughtlessness, a false grandeur which is pettiness, a false virtue which is hypocrisy, and a false wisdom which is prudery.

 A prude woman is concerned with her bearing and her words; a wise woman is concerned with her conduct. The first follows her humor and complexion, the second her reason and her heart. The former is serious and austere; the latter acts precisely as is necessary in different situations. The first hides her weaknesses under a plausible exterior; the second covers a rich store of virtue with a free and natural air. Prudery constrains esprit, and neither hides age nor ugliness; often it presupposes them: wisdom, on the contrary, palliates imperfections of the body, ennobles esprit, and makes youth only more piquant and beauty only more perilous.