An
actor overdoes his part when on stage; a poet amplifies his descriptions; a
painter who draws from life constrains and exaggerates passions, contrasts, and
attitudes; and someone who copies his painting, unless he uses a compass to
measure the dimensions and proportions, makes the figures bigger and gives to
every part of the tableau more volume than the original had: it is in the same
way that prudery imitates wisdom.
There is a false modesty which is vanity, a
false glory which is thoughtlessness, a false grandeur which is pettiness, a
false virtue which is hypocrisy, and a false wisdom which is prudery.
A prude woman is concerned with her bearing
and her words; a wise woman is concerned with her conduct. The first follows
her humor and complexion, the second her reason and her heart. The former is
serious and austere; the latter acts precisely as is necessary in different
situations. The first hides her weaknesses under a plausible exterior; the
second covers a rich store of virtue with a free and natural air. Prudery
constrains esprit, and neither hides age nor ugliness; often it presupposes
them: wisdom, on the contrary, palliates imperfections of the body, ennobles
esprit, and makes youth only more piquant and beauty only more perilous.

